Lionel Messi with the World Cup |
Kylian Mbappe with the Golden Shoe |
My thoughts on... What I've watched (Films, Shows, Serials) and what I've read (Books)! As Proust so eloquently puts it - 'the poetry of hibernation already added to the comfort of reclusion'
Lionel Messi with the World Cup |
Kylian Mbappe with the Golden Shoe |
I watched the Kannada film Kantara recently, in its Telugu dubbed version. And, it was a great cinematic experience. Set in the backdrop of tribal habitations of Tulu nadu in the picturesque Western Ghats, the story details the victory of human need over human greed enmeshed with an eternal layered conflict between good and evil, tradition and modernity and nature and man. In a simple, straight forward narrative that does not suffer the need to pamper any ideologies, Kantara’s characters enthrall us with a refreshing sincerity. The vibrant tradition of Sacred Grooves and the concomitant art forms and living styles viz Bhoot-arathana, Bhuta-Kola, Kambala, legends of Panjurli, Guliga Deva are brought to the fore in a non-caricatured, subtle, emotional way.
Rishab Shetty stood out tall as director and lead actor in this epic, dishing out once in a lifetime performance, especially in the climax, in a cinematic ode to a largely ignored tradition. In its emphasis on regional culture, the film marks originality. The supporting cast viz Sapthami Gowda as Leela and the villagers play their roles to perfection.
This is a film to be experienced on big screens and don’t miss it there.
Kantara (Film, Kannada, Hombale Films, 2022) by Rishab Shetty
There are some films which stir our very soul with sheer emotional artistry, owing the hearts and warmth of the audience. 'Sita-Ramam' which I watched yesterday in Prime is one such film. It captured the imagination of amateurish literature-fan in me, as I was harked back to the fictional life and times of Lt Ram and his Sita, or I should say, Sita and her Ram. In this tale of a quest for lost love and redemption of honor which stretched over a score years, there are various underlying themes like triumph of humanity over religion, peace over war, Ramayana.
The pace and build up that the director attempted with courage, the sheer poetry that encompasses every scene of Sita and Ram, the anticipation set in the combination of melodious back ground score - all these elements work in right balance to make the film a great one to watch. Firstly, kudos to the director for execution such a charming love story. Dulquer Salman as Lt Ram is outstanding, as is his wont. And Mrunal Thakur as Sitamahalakshmi / Princess Noor-Jahan deserves all the adulation, a star in her own right. Her classical expressions, clash within, sheer presence makes the heart miss a beat, as slowly the story unravels to it's tragic end.
In the end, what a film! There will surely be a second time and more times to follow.
Film (Telugu) - Sita Ramam, Vyjayanthi Films (2022), Amazon Prime by Hanu Raghavapudi
I have just finished reading 'Lords of the Deccan : Southern India from the Chalukyas to the Cholas', a work of popular history dealing with the early medieval ages of Deccan. Of late, there has been an enhanced and nuanced way of approaching Deccan's brilliant past, a ceaseless, compelling clamor that the past narrative of Deccan be given it's due. The Lords of the Deccan offers an exhilarating perspective into South India and Deccan's rivalries, artistic and militaristic, that shaped India from 600s CE to 1000s CE.
The author rightly bemoans the existence of very few reliable historical sources (viz, glossy Prasasthis, lack of large scale archeological excavations at Basava Kalyan, Manyakheta), yet enthralls us with the tales surrounding the rise, fall and re-rise of the Sri-Parvatha Vallabhas of Vatapi / Manyakheta. The book is diligently divided into three parts - Chalukyas of Badami, Rashtrakutas and finally - Western Chalukyas and their rivalry with Cholas. Yet it is not just a chronological white washed eulogy of Kings and King makers. The themes discussed viz, Sanskrit Cosmpolis, temples and sects as institutions, powers of merchant guilds, symbolism of banners and icons, the sea bound trade routes of Indian ocean, development of regional literature etc offers an interesting insight into the lives and times of Medieval Deccan.
Indian History is not just about the primacy of few places (Gangetic plains) or dynasties (Maurya, Gupta, Delhi Sultanate, Mughal). As the author rightly points, the immenisty of medieval sourth India still looms over us, demanding that we coninue to tell its stories, and learn from its horrors and glories.
Book (English) - 'Lords of the Deccan : Southern India from the Chalukyas to the Cholas' by Anirudh Kanisetty - Juggernaut Books
RRR!
The crafty, creative carver that SS Rajamouli is, armed with trusted lieutenants, takes his time and never fails to impress. RRR is not just a mass entertainer, but suffice to say that in depressing times, it remains one of the few positive points to feel proud as a Telugu guy and a film fan. Very often, I abhor the artistic creativity and cinematic liberty that puts a film on a higher level. Not this time though....
Almost a Roman a clef, the film is set in the backdrop of British India of 1920s, an era marked by simmering discontent. With the underlying themes of patriotism, friendship and courage, the simple tale weaves an alluring web of events, the fictional 'what if' of Manyam champion and freedom fighter Alluri Sitaramaraju meeting Gond rebel and warrior-hero Komaram Bheem. Right from the word go, one is transported to that part fictional and part factual era, crying, laughing, dancing and fighting - as an entire gamut of emotions play out!
The grandiose visual spectacle, the cinematography and the taking, the slow build-up backed by adrenaline pumping music, the Ramayana epic theme - all hallmarks of the director are extremely impressive. Ram Charan and Jr NTR stand out in their respective defining roles - iconic, flawless. The ensemble cast also dished out their best. A jam-packed theatre on a week day with crying babies, shouting fans and deeply immersed audience - for once it harked back to pre-covid times. I'd certainly watch the film again!
At 'The Batman' |
Nine and half years after the Dark Knight rises and two years and half past the Joker, I watched the Batman. The film reeks of tribute to the past Batman films, yet offers a fresh perspective. Dark, slow, comic and depressing at times, it's not everyone's cup of tea. The story line is simple and pretty straight forward. Batman in first person narrative, offers fresh insights as a detective and a man with misplaced rage and vengeance. The opening sequence and monologue slowly builds up the momentum of the film.
Robert Pattinson as Batman stood out - a role he played with elan. This Batman is still all powerful, but realizes he has his own limitations. And the skewed transition from a bumbling vigilante/detective with no allies towards offering hope to the people is brilliantly underplayed as the Batman sinks deep into the cesspool of Gotham. The OST of the film and the BGM at times are superb, especially the buildup of the church bill theme is goose-bump guaranteed. The director and the music composer stand for speical appreciation. The ensemble cast viz Zoe Kravitz, Paul Dano et al did justice to their little roles, but overall, it's Batman!