Search This Blog

Monday, September 17, 2018

On Durand's Curse




“When two elephants fight, it is the grass that suffers”  - Kenyan Proverb

‘Durand’s Curse’ by Rajiv Dogra details the events and circumstances leading to the fateful agreement of 12th November, 1893CE when the Durand’s Line separating the present day Afghanistan and Pakistan came into existence. It also encompasses a comprehensive and contemporary view of present day Afghanistan, lamenting the monumental injustice meted to Afghans, especially the Pathans.
 
In mid 20eth Century, as many countries across Asia, Africa and South America emerged Independent from the clutches of Colonialism, lines were arbitrarily drawn by few powerful men, separating and creating nations. Sykes-Picot, Radcliff are to name among a few. But, perhaps the most chaotic and arbitrary one was the ‘Durand’s Line’. In a crazy and concocted ‘Great Game’, Afghanistan was envisioned as a buffer zone separating British India from Tsarist Russia rather than an Independent country.

Spooked by unsubstantiated claims of Russian Invasion of India, the British (then East India Company) replaced the immensely popular King of Afghanistan, Dost Mohammad Khan with Shuja Shah. However, the fiercely independent Afghans struck back, and what followed for the next century was an era of trickery and bloodshed. After Partition of India, Afghanistan’s position went from bad to worse, as vouched by it’s recent history. A disastrous civil war, ambitious neighbors and changing geopolitical scenario means that another ‘Great Game’ is at play!

It is a must read for anyone interested in the Indo-Afghan Foreign affairs/Afghanistan/Geopolitics of Asia.

Book – Durand’s Curse by Rajiv Dogra (English)

Wednesday, September 12, 2018

Badshah Khan





“But you are deserting us now, and throwing us to the wolves.”                 
- Khan Abdul Ghaffar Khan admonishing members of the Congress Working Committee after they agreed for the partition of India. (c.1946)

‘My Life and Struggle’ is the autobiography of Khan Abdul Ghaffar Khan, regarded as ‘Fakhr-e-Afghan’ (Pride of Afghans) and ‘Badshah Khan’ (Emperor among Khans), with a foreword by Jayaprakash Narayan. The Indian freedom struggle, especially the Gandhian Phase attracted people from all walks of life and Badshah Khan was the most famous leader from the North West (the then NWFP). Born in a rich Pathan family, he stood out for his broad-mindedness and patience. He was instrumental in establishing the organization - ‘Khudai Khitmatgars’(Servants of God, more popular as ‘Red Shirts’). He was later awarded the Bharat Ratna. Those were the facts that we all know.
But, he was a man whose long & cruel years in imprisionment are only marked by respect and civility towards his British Captors. During the Civil Disobedience movement, when the Empire struck back in Peshawar, it was his Khudai Khitmatgars who paid with their blood. And his quest for freedom and self-determination led him only to prison, first as a guest of the British Empire, and then under the new nation of Pakistan. When the Partition of India became imminent, all his concerns were swept under the carpet, and a much respected leader was maligned for his ‘Pakistan or Pakhtunistan’ remarks. 

Being an autobiography, the book is straight forward; fact based and sporadically sketches lots of people who are in awe as well as in disgust of the Badshah Khan.

By the time of his death, there was no peace in South Asia. India and Pakistan were involved in a conflict over Siachen Glacier. And his beloved people, the Pathans (mostly in Afghanistan and Pakistan) were drawn into a civil war which never stopped and no one understood.

When he was old, he wandered and spoke in Afghanistan, as the country was getting torn to pieces. But, it was a tribute to the man that when he passed away, the Afghan Civil War had a temporary truce for 3 days so that the people can pay their respects to their beloved ‘Badshah Khan’.
 
If only the partition of India and Pakistan never took place, Or
If only the partition place in a much humane and leisurely way, with the NWFP province getting more provincial autonomy, Or
If only the Afghans had a leader like the Badshah Khan whose tolerance could outwit and outgun the murderous rage of the Taliban…..
If Only.

Book - My Life and Struggle - Autobiography of Khan Abdul Ghaffar Khan with foreword by Jayaprakash Narayan

Saturday, August 18, 2018

The Spy who asked for the Holy Basil Plant



(No Spoiler Alert)

Spy!

James Bond, Jason Bourne and Ethan Hunt - for someone who grew up watching these kinds of films and reading Frederick Forsyth's thrillers, I always had a question - Why are there no worthy Spy thrillers in Telugu? A few attempts were made steeped in sarcasm and copy-paste (‘inspiration’) despite no lack of motivational tales all around (Remember ‘Kaoboys’ –R&AW, tales and exploits of India’s spies which are still hazy viz, the likes of legendary Rameshwar Nath Kao, Ajit Doval etc,). Maybe it all boils down to lack of interest and succumbing to a safe commercial template.

And then came ‘Goodachari’.

Adivi Sesh garu’s story and the taking of the film, basing on the technique of the ‘Unreliable Narrator’ are simply awesome! To be a good thriller, a film should have some inevitable ‘twists’, but they should not be the sole point of the film as people rapidly lose interest after watching it once. ‘Goodachari’ does a fine balance of being a classic and ‘twistyful’ (sic). Even small details were attended to with great care as evidently, a lot of research went into the film. Kudos to the director Sashi Kiran Tikka garu and for once the BGM is apt and spine tingling for such a flick.
The ensemble cast does justice – Sobhita, Mahdu Shalini, Prakash Raj, Vennela Kishore (shout out), Surpiya Yarlagadda, Anish Kuruvilla, Jagapathi Babu and Adivi Sesh himself. The screenplay, the chases and goosebump inciting fights – just wow!

As Agent Gopi (Trinetra 116) traverses with ease at Hyderabad, Rajahmundry, Chittagong – a style and panache hithertho associated only with 007 at Tijuana, Paris or Tangiers – my cravings are satisfied!

Film – 'Goodachari' (Telugu) by Sashi Kiran Tikka & Adivi Sesh
https://www.imdb.com/title/tt7758160/
https://en.wikipedia.org/wiki/Goodachari 

Monday, July 16, 2018

The Final


(A poem on the World Cup Final and an ode to the FIFA Football World Cup 2018)

At the Luzhiniki, the month long frenzy ended tonight,
Les Blues met the Vatreni, a game of equals as was rightly thought.
The beautiful game set for a cruel finish, a dose of skill and luck,
hype and hope – all clashed, alas but there’s only one winner to pick.

A striker’s instinct set for an own goal, all set piece drama unfolds,
was there a deliberate handball? On roller-coaster emotions, there are no controls.
All Possession and attack was for nothing, as the skies turned blue,
missed chances, maverick moments, how this ends is nobody’s clue.

Then Mbappe and Pogba danced as the Croats’ defense rattled,
five minutes of genius that left Modric and his men baffled.
Deservedly, France won and the night  ended in ‘Allez Les Blues’ chant,
Spare a thought for the runners-up, they fought as is their wont.

What an event it was, as we say ‘Dasvidaniya’ to Russia and move on,
tears  of Joy and anguish as leaders hug their players, all’s now gone.
A wonder that is now over, all ache & awe gone,we wait  without rest…
as the beautiful game goes to Qatar of the Middle East!

Golden Ball winner Luka Modric with Best Yougest Player Kylien Mbappe





Friday, May 11, 2018

మహానటి

(Warning - Spoiler Alert) 
                                 
             

"నేను ఏమి అంత పెద్ద మహానటి ని కాదు లెండి.ముందు కెమెరా లేకపోతే నాకు బొత్తిగా నటించడం రాదు."                                                     - 'మహానటి ' సావిత్రి గారు

ఏదో చిన్నప్పుడు 'మిస్సమ్మ ', 'మాయాబజార్ ' సినిమాలు చూడడం తప్ప ఆ మహానటి గురించి నాకు ఏమి తెలియదు. ఏ నటీమణి కి లేనంత ఖ్యాతి గడించిన సావిత్రి గారు చివర్లో ఎన్నో కష్టాలు పడి , 45 ఏళ్ళ కే స్వర్గస్తులవ్వడం జగద్విదితం. అప్పుడప్పుడు TV లో వచ్చే పాత సినిమాలు చూస్తే చాలు, ఆవిడ గొప్ప నటనా కౌశలం తెలుస్తుంది. ఈ దృష్టి తోనే నేను ఈ సినిమా చూసాను. ఆవిడ చాలా మంచి మనిషి కూడా. ఎముక లేని చెయ్యి. నాగ్ అశ్విన్ (దర్శకుడు) చాలా బాగా తీశారు. చాలా సన్నివేశాల లో కళ్ళు చెమర్చాయి. ఆ మహానటి గా కీర్తి సురేష్ అద్భుతంగా సరిపోయారు. దుల్క్ఆర్ సల్మాన్ జెమినీ గణేశన్ గా పండించారు. ఇంక మిగిలిన పాత్రల గురించి ఏమని చెప్పేది ? సమంత జర్నలిస్ట్ మధురవాణి గా, విజయ్ ఏమో  ఆంటోనీ గా సరిపోయారు. చాలా పెద్ద నటులందరూ వారి వారి పాత్రలకు ఎంతో చక్కగా న్యాయం చేశారు.

1940 ల నుండి 1980 ల వరుకు జరిగే ఈ గాధ లో సందర్భానుసారంగా, ఆ మహానటి జీవిత ఒడిదుకులను ఆవిష్కరించారు. విజయ వాహిని స్టూడియో లో మాయాబాజార్ సెట్, మద్రాస్ నగర అప్పటి ట్రామ్ వ్యవస్థ, బెజవాడ లో నాటకాల క్రేజ్, గోల్డస్పాట్ డ్రింక్స్, అంబాసిడర్ కార్లు, - ఇలా ఎంతో జాగ్రత్తగా అప్పటి కాలాన్ని చూపించారు (Historical Accuracy).

మచ్చుకకి హృదయానికి హత్తుకునే ఆణిముత్యాలు -
1. ఎందరో  ఆర్ధికముగా మోసం చేసి, ఆవిడని వదిలేస్తే, ఆస్తులు జప్తు చేసిన ఇన్కమ్ టాక్స్ ఆఫీసరే 'ఆటోగ్రాఫ్ ' కోరితే నవ్వుతు ఇచ్చిన ఘనత ఆవిడది.
2. 'ఉన్నది ఒక జన్మే అయితే ...' అంటూ జెమిని గణేశన్ గారి తో జరిగే ఒక సంభాషణ.
3. పెద్దాయన ఎస్.వి.రంగారావుగారు చివర్లో 'ఎమ్మా, భొచేసావా ' అని ఆ మహానటి ని పలకరించే సన్నివేశం.
(హాలు లో ఎవరో ఉల్లిపాయలు తిరుగుతున్నట్టు గా అనిపిస్తుంది .)
ఇలా చెప్పుకుంటూ పొతే ఎన్నో...

ఇంత గొప్ప సినిమా గురించి ఎంత చెప్పినా, ఇలాంటి గొప్ప దృశ్య కావ్యాన్ని ఎన్ని సార్లు చుసినా తనివి తీరదు. 




Film - 'Mahanati' (Telugu) by Nag Ashwin, 2018. https://www.imdb.com/title/tt7465992/

Saturday, February 3, 2018

An Era of Darkness...



"The British Empire in India was so easily won, so narrowly based, so absurdly easily ruled thanks to the devotion of a few and the passivity of many"   
                                                - Eric Hobsbawm,
eminent British Historian

After 'Pax Indica', this is the second book by Shashi Tharoor that I've read. 

For 2 centuries (circa), the British ruled India. Many books were written on the question of the British Rule and Legacy, some being excellent and unbiased historical works. Although many issues highlighted in this book are well known to the students of history especially of the colonial past, the way the book is edited and peppered with views ranging from that of Robert Clive to 'Gurudev' Rabindranath Tagore makes it an interesting read. 

The tragedy of the late 18th century was that as modern ideals inspired by the French Revolution swept across Europe (Liberty, Equality and Fraternity) along with advancements in Science and Technology, in stark contrast, the British won battle after battle in India, forging (and only to betray later) short term alliances, treaties and innovative methods of annexation (Doctrine of Lapse etc), finally culminating in a mindset of 'Whiteman's Burden'. What followed immediately was the complete destruction of Indian self-sufficient rural economy, a drain of wealth so meticulously planned and executed that had no parallel in history. 

There are exceptional cases too, where progress can be credited to the British. Sir Arthur Cotton, who built a dam across river Godavari fighting against his own superiors, comes to my mind as an example and he is also immortalized as the modern day Bhagiratha i.e, the mythical king who brought River Ganges to the Earth (కాటనాం తాం భగీరథాం). But innovations like Railways, Telegraphs were planned with the primary intention of protecting and furthering British interests in India. 

This is neither the first book on British Legacy nor will it be the last one. However, we are with the author, Shashi Tharoor, who frankly questions the way colonial history is taught in Britain, pitching for an informed and fact based debate on the ill-effects of British rule in India. 


Friday, January 26, 2018

'Padmaavat'




(No spoiler alert apart from the quote)

"आसमान में हर तारा चांदी बनना चाहती हैं काफुर, पर नहीं बन सकता!
Every star in the sky wishes to be the moon, Kafur, but can't be so. "
- Ranveer Singh as Alauddin Khilji

When the Poet Malik Muhammad Jaisi wrote the epic 'Padmaavat' around c.1450s CE, he was allegedly inspired by real events during the Siege of Chittor 150 years ago. Sanjay Leela Bhansali is inspired by this work and so renamed the film 'Padmaavat'. We can't debate the actual history and the sequence of events and this is a film - a work of art & fiction at its core.

A grandiose tale on a lavish scale and with meticulous care, the film runs on the trio - Ranveer Singh as Alauddin Khilji, Deepika Padukone as Rani Padmavati, Shahid Kapoor as Raja Maharawal Ratan Singh. Every history loving person would have tears of joy at the near perfect portrayal of Khilji - he is not just displayed as a menacing marauder & ambitious emperor, but also as a confused romantic exhanging 'Shayaris' with the legendary Amir Khusrau.

The ethos of the Rajputs -  Valour & Courage were prominently highlighted so much so that after watching the film, one is left wondering what were the protests all about?  The settings & the locations - the forts of Rajputana, the haunting and recurring back-ground score - everything was perfect. A few detailed battle scenes could've been better. But, like all Bhansali films before, somewhere you'd feel the burden of conversations and a little 'drag'. Apart from that, enjoy the epic struggle where victory and defeat are the same!

Film - Padmaavat (Hindi) by Sanjay Leela Bhansali.